Saturday, January 17, 2009
Schumann's XII Etudes Symphoniques
Robert Schumann's Etudes Symphoniques, Op. 12, or Symphonic Etudes is a set of beautiful etudes (or studies) written for the piano. This set of etudes is best on a theme by Ernest von Fricken's flute work. Ernest von Fricken was the father of Ernestine von Fricken, to whom Schumann was engaged. She was referenced in Schumann's Carnival Op. 9 in "Estrella". This piece is filled with things very typical in Schumann's own unique compositional style. These include many uses of completely overdotted rhythms as well as many chordal tones and march rhythms. It is difficult to locate any etude involving scales or arpeggios, which is the normal foundation for an etude of Chopin or Liszt. The only location in this piece where scales are really present is in the Fantasy-like etude. But those are more in the style of what Schumann was going for in reference to that specific etude, and not necessarily anything he needed or used to make the piece a whole. It is also interesting to note that this piece is in c-sharp minor except for two of the etudes. These are number XI which is in g-sharp minor, and the finale which is in the key of D-flat Major. This is perhaps Schumann's most technically demanding work for keyboard, although it is demanding in a different way than a book of Chopin or Liszt etudes.
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